News & Press
Margaret Meehan at Visarts Residency - Visual Arts Center of Richmond
Nov 16, 2022
https://www.visarts.org/artist-residencies/current-studio-access-residents/
Margaret Meehan will be included in a six month studio residency at the Visual Arts Center of Richmond in Richmond, Virginia. The Visual Arts Center of Richmond’s Studio Access Residency is designed to support emerging and established visual artists as they develop new ideas and to foster artistic exploration by providing free access to VisArts’ 17 communal studio spaces.
Anthony Sonnenberg Feature in Mod Citi
Mod Citi | Nov 10, 2022 | by Kendall Morgan
https://issuu.com/modciti/docs/modciti_dallas_issue_38_october_22
Mod Citi October 2022 issue. Pages 15-27.
Desireé Vaniecia review in Glasstire
Glasstire | Nov 4, 2022 | by Jessica Fuentes
https://glasstire.com/2022/11/03/desiree-vaniecia-explores-the-seven-deadly-sins-at-conduit-gallery/
Jeff Gibbons included in Sculpture Month Houston Festival 2022
Nov 3, 2022
http://sculpturemonthhouston.org/
Jeff Gibbons is included in the exhibition, Synaptic: The Sculptural Presentation of Neural and Psychological Systems in conjunction with SCULPTURE MONTH HOUSTON FESTIVAL 2022 - October 8 - December 3, 2022
SITE Gallery
The Silos at Sawyer Yards
1502 Sawyer St. Suite 400
Houston, TX
Margaret Meehan, Ludwig Schwarz, Stephen Lapthisophon & Jeff Gibbons included in Site 131 exhibition
Oct 8, 2022
Margaret Meehan, Ludwig Schwarz, Stephen Lapthisophon & Jeff Gibbons are included in the Texas Collects: Carter/Wynne exhibition at Site 131, Dallas, TX from September 24 through December 10, 2022.
Jeff Gibbons at SITE Houston for Sculpture Month Houston
Oct 8, 2022
http://sculpturemonthhouston.org/
Synaptic: The Sculptural Presentation of Neural and Psychological Systems
SCULPTURE MONTH HOUSTON FESTIVAL 2022
October 8 - December 3, 2022
SITE Gallery
The Silos at Sawyer Yards
Lance Letscher and James Sullivan added to Library of Congress Prints Collection
Jul 21, 2022
https://www.flatbedpress.com/library-of-congress-acquisitions
Two prints, created by the artists at Flatbed Press (Austin, TX) were recently added to the permanent collection of the United States Library of Congress.
James Sullivan, Scoria (Patched) II, 2020, Etching, 15 1/2” x 19 3/4”
Lance Letscher, Flux, 2020, A la Poupeè etching with chine collè, 34” x 35 1/2”
Annabel Daou Interviewed in Strange Fire
Strange Fire Collective | Jul 20, 2022 | by Rafael Soldi
https://www.strangefirecollective.com/qa-annabel-daou-2
A follow up interview with Annabel Daou following the previous 2016 conversation between the artist and Strange Fire collective member, Rafael Soldi.
Ludwig Schwarz in Parton Magazine Feature 'Art Influencers'
Patron Magazine | Jul 20, 2022 | by Steve Carter
https://issuu.com/patronmagazine/docs/patron_june-july_2022?fr=sN2RjODQyOTU2MzQ
Summer, 2022 issue
Margaret Meehan Modern Billings - Museum of Modern Art Fort Worth
via The Modern website | Jun 22, 2022
https://www.themodern.org/modern-billings
Using space from Clear Channel Outdoor as programming sites, Assistant Curators of Education Jesse Morgan Barnett and Tiffany Wolf Smith work with a variety of artists to situate imagery and text onto billboards, elements of the city that traditionally present commercial advertisements rather than cultural curiosities. For MODERN BILLINGS, artists place works into under-served communities along the periphery of downtown Fort Worth. These large-scale installations along Jacksboro Highway and the Lancaster corridor extend the reach of the Modern and the education department and provide an intervention opportunity for contemporary art in urban landscapes.
MODERN BILLINGS XI, June 24 - August 7, 2022
Margaret Meehan is a Virginia-based artist whose work is a research-based, multidisciplinary exploration that pulls from film, music, popular culture, folklore, and traditional crafts. She considers the origins of outcasts through their representation. Meehan’s research includes teratology and medicine, ornithology, the esthetics of cuteness, materiality in high and low culture as well as modes of feminist protest. This all stems from her curiosity about the lines that separate what is protected from what is feared and how gendering plays into these expectations. For MODERN BILLINGS XI, she references the Greek myth of Cassandra as a way to give voice to women and femme identified individuals in the world today.