Marcelyn McNeil, Wax Wane, 2021, oil on canvas, 66x72"

2018, acrylic on Yupo, fr. 45x31”

Annabel Daou, I just don't know, 2018, graphite & gesso on paper, 22x18"

Annette Lawrence, Five hundred twenty six seconds, Four hundred eleven seconds, Four hundred forty four seconds, Three hundred seventy five seconds, 2022, acrylic & photocopy on linen, 4 canvases, each 24x18"

Marco Querin, observing multiculturalism - I used to be an architect in my homeland, but here all I'm good for is manual labor, 2019, Iranian wool, cotton, nails on stretched canvas, 36x36"

Carrie Marill, Water the Fruit Trees Not the Thorns, 2022, acrylic on linen, 24x18"

Erin Curtis, Pastoral, acrylic on cut & layered canvas, 60x40"

Stephen Lapthisophon, Stone and Gravel Slide, 2022, acrylic, coffee, enamel & spray paint on canvas, 60x40"

Stephen Lapthisophon, Airey-Force Valley, 2022, acrylic, enamel, ink, coffee & spray paint on canvas, 60x40"

Soomin Jung, Sunset, 2018, Colored Pencil, Graphite and Gouache on Paper, 11x14"

Soomin Jung, Spring Rain, 2018, Colored Pencil, Graphite and Gouache on Paper, 11x14"

Soomin Jung, Fresh Green, 2022, Colored Pencil, Graphite and Gouache on Paper, 11x14"

James Sullivan, Mimbres, 2010, aluminum plate spitbite etching on paper, 29.5x44"

James Sullivan, Clay Valley Plot, 2008, ink wash & gouache on newsprint, 6.5x10.5"

Jeff Gibbons, Gloves (Lost Socks Found), 2022, oil on canvas, 84x60"

Jennie Ottinger, Marie Antoinette and the rose 1783 Vigée Le Brun 2022, oil on panel, 20x16"

Margaret Meehan, Lovely Day, 2021, terracotta, glaze & magazine collage, 12.5x8x7"

Ted Larsen, Touch and Go (for Hammersly), 2021, salvage steel over cellulose cardboard with steel backing, 17x15x2.5"

Ted Larsen, Ted Larsen, Double Duty (for Hammersly), 2021, salvage steel over cellulose cardboard with steel backing, 17x15x2.5"

Robert Jessup, Whidbey 121, 2021, oil on canvas, 90x120"

Vincent Falsetta, FE 20-7, 2020, oil on canvas, 35x35"